Working with an existing warehouse shell, one of the key design objectives was the integration of the old with the new; creating a synergistic juxtaposition between the raw existing space and the new pristine space. To accomplish this, a careful orchestration of elements is placed within the confines of the existing shell. These new elements enhance and work with the existing conditions. The new elements ultimately respect and enhance the otherwise banal shell.
The existing shell was sandblasted to reveal the warmth of the wood trusses underneath the layers of paint and dirt. Using the existing windows and structure as a reference, the organization of showroom spaces follows their rhythm, thus creating a free flow of pavilions that are naturally lit by the large windows.
In plan, the space is divided into two parts along its longitudinally: public and private. A natural clarity for showroom visitors and employees is achieved. On one side is the new open plan showroom with natural light (existing windows) and on the other are the administrative staff offices and services (toilets, storage, IT room, staff kitchen) located in relation to the storage warehouse beyond.
Beginning at the entry space, a custom receptionist desk is easily recognizable to new customers. The receptionist desk was designed as an inspirational piece as to how the product being featured, CaesarStone, could be used in a multitude of revolutionary methods beyond the counter top. Featuring Apple Martini CaesarStone, horizontal bands of undulating shapes create the monolithic yet light and airy desk. The design motive is in relation to the main architectural feature of the space: the separation CNC Fin Wall.
The separation wall delineates between the two major two spaces / function (public and private). It is a very strong aspect of the design; measuring roughly 120' long and 15' tall. The wall’s proportions render it a very large and imposing mass. However, a solution to this problem becomes the showroom’s main feature. If one is to familiarize oneself with the methods in which stone is cut at the quarry, one recognizes the sharp serrated edges. If looked upon closely, these edges resemble a mountain range. The wall exploits this raw stone look, since the product being sold is, after all, a quartz-based product. The abstraction is accomplished by creating a screen of 2" thick plastic laminated wood fins. Each of the fins is custom-cut to replicate the peaks and serrated edges of the stone using a CNC router. There are 37 of these pieces starting from the bottom of the 15' tall wall and going across 120' in length. The resultant feature is a sinuous and dynamic effect that is best experienced by walking by the wall, or even touching to feel the peaks and valleys.
